Reviewing Daredevil and the future of Netflix

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Back in 2013, Netflix announced an exciting new deal with Marvel Studios to produce a selection of live action series based on some of the best characters from Marvel’s comic books. Situated in the established Marvel cinematic universe, Daredevil, Luke Cage, Iron Fist and Jessica Jones were signed to receive 13 episodes per season, before culminating in a team-up, The Defenders.

The first of these series was scheduled to be Daredevil, a superhero crime drama by showrunner Drew Goddard (The Cabin in the Woods). The show would focus on the blind lawyer known as Matt Murdock, who tackles crime in and outside of the courtroom in Hell’s Kitchen. With his superhuman senses, he attempts to make his city a better place.

The character of Daredevil is synonymous with having some of the best talent in comic book history, and he boasts some of Marvel’s finest work to date. From Frank Miller’s ground-breaking masterpiece, to Bendis/Brubaker’s captivating run and Waid/Samnee’s recent reinvigoration, Daredevil has had it all.

However, he hasn’t had the same luck with movies. The wounds are still sore from Fox’s attempt at Daredevil, which was a cinematic travesty. Despite the fact that the director’s cut was bearable, everyone remembers that park scene. So, Netflix had their work cut out for them to produce something that finally did the character justice.

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Have no fear though, as Netflix qualms any concerns. Casting British actor Charlie Cox (Stardust, Boardwalk Empire) was possibly the best decision they made for the show, as they discovered someone who embodied the charm of Murdock and the vehemence of the horned devil all in one delightful mix.

The same praise can be said for Vincent D’Onofrio (Full Metal Jacket, Law & Order: Criminal Intent), who plays the intimidating crime lord, Wilson Fisk. Known as Kingpin to others, D’Onofrio provides one of the most impressive performances of a comic book villain ever. Alongside these two stars, Daredevil also features Deborah Ann Woll (True Blood) as the vulnerable Karen Page, and Eldren Henson (Mighty Ducks) as Murdock’s friend and associate, Foggy Nelson.

Daredevil manages to seamlessly focus on both aspects of Murdock’s life, with drama and action intertwining with ease. Some fight scenes are brilliantly choreographed, with several sequences that’ll leave jaws agape. One corridor sequence in the second episode – filmed all at once without cuts – is even being commended for its technical achievement.

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It’s worth nothing that Netflix manages to clean the taint that is given to superhero television shows. Due to the high production values of Daredevil, it abolishes any concerns of being likened to cheaper network programmes, such as Arrow or Agents of S.H.I.E.L.D. The cinematography is fantastic, with some moments feeling like they were ripped straight from the pages of a comic book.

Whilst Daredevil hasn’t always been a dark and gritty superhero since his creation, Netflix takes inspiration from Frank Miller and Bendis’ take on the character. For those looking for a swashbuckling adventure, you’ll be left slightly disappointed. Whilst this show doesn’t lend itself to the dark ridiculousness of some other comic book heroes, it is still a series littered with murder, human trafficking and suicide. However, there’s a slight sprinkle of comedy, which mostly comes from Foggy Nelson.

Whilst Daredevil is shared within the Marvel cinematic universe, there isn’t a great deal of references towards other events/heroes. The Battle of NY gets mentioned, but that’s about it. Some keen eyed viewers may recognise some small bits in later episodes, but this is really Daredevil’s story. Not having Frogman at all is a bit unforgivable, though.

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References aren’t necessarily essential anyway, as you’re pulled in with an enthralling story and some superb acting. The bar has now been set for other superhero shows, as it’s beautifully shot, perfectly cast and brilliantly crafted. It might just be the television highlight of the year, which is a mighty achievement regarding other shows that have been on recently, such as Better Call Saul.

General feedback has been positive since the release, and it can be safely said that Netflix’s deal with Marvel Studios will be hugely beneficial. Their new model to create their own content has been their best idea yet, and anyone torrenting Netflix’s content is doing a disservice to themselves and the great product provided. Hell, even if you can’t afford the meagre cost, just sign up for free.

The next comic book property lined up is A.K.A. Jessica Jones, which is currently being developed by Melissa Rosenberg (Dexter). This time round, viewers will follow the story of Jessica Jones, played by Krysten Ritter (Breaking Bad), who starts up her own detective agency after a tragic end to her superhero career.

The series will be based on Bendis’ Alias, which was the first title to be published under the MAX imprint at the time, allowing it to appeal to an adult audience with R-rated content. It provided Bendis with creative freedom within Marvel, and Jessica Jones soon became an important part the Avengers soon after that.

A.K.A. Jessica Jones will also establish some fan-favourites from Marvel comics, such as Luke Cage (Mike Colter) and Patsy Walker ‘Hellcat’ (Rachael Taylor). David Tennant also stars as the evil Killgrave (aka The Purple Man), who might just be one of the most vile villains in Marvel comics. Dr Who fans might be in for a shock with his unique role.

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Following Luke Cage’s introduction, he will be receiving his very own show alongside his team-mate and fellow Hero for Hire, Iron Fist. Each character will be getting the 13 episode treatment too, focusing on Cage’s life as an ex-con with bulletproof skin, and Iron Fist’s life as a millionaire bestowed with awesome mystical powers.

The Defenders will bring all of these characters together for a mini-series, to face their biggest threat yet. Speculation over who they’re facing has begun amongst fans, with ideas ranging from a full invasion from The Hand (evil occult ninjas), to stopping the devastating killing machine known as The Punisher.

With Marvel gaining the rights back for The Punisher, it wouldn’t come as a surprise to see news of Thomas Jane being involved with Netflix any time soon. Despite the critics’ response of the 2004 film, Thomas Jane’s depiction of the Punisher was spot on. Just three years ago, he reprised the role in this incredible short film, ‘Dirty Laundry’:

Whether or not The Defenders decides to utilise The Hand remains to be seen. They’re an integral part of Daredevil’s history, and they are closely linked to his love interest Elektra. Therefore, it might be best to implement them at a later date. Nonetheless, these two theories may not even be included at all. For all we know, it could be Stilt-Man making his own empire.

Outside of the Netflix/Marvel deal, a Punisher series based on Garth Ennis’ MAX run would greatly benefit from the freedom of Netflix’s model. At this point there a few characters they could use, such as Blade, Ghost Rider, Cloak and Dagger, Power Pack, Elektra and Hawkeye.

Whilst it might not be worth touching Blade and Ghost Rider any time soon, it would be criminal to leave Cloak and Dagger without a mini-series at least. If Netflix ever decided to include Hawkeye in any form on television, then they should look no further than the most recent Matt Fraction and Aja/Wu run on the character. The possibilities are endless.

It’s an exciting time to be a Marvel fan, with Netflix now gaining traction with their new television series and Marvel’s films now entering the third phase. Hopefully A.K.A. Jessica Jones is also a hit, and that the rest of the series allows for an extended deal for both parties involved. Either way, the future looks bright for this partnership.

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