Another tired entry into Fox’s mutant money-maker, Bryan Singer’s X-Men: Apocalypse simply reminds us why Marvel Studios formula works so well. After defeating Magneto and squaring off against robotic killing machines, the X-Men now have to unite to defeat the world’s first ever mutant, the deadly Apocalypse.
Bryan Singer’s fourth X-Men film stars most of the cast from previous films, but this time round there are some fresh faces thrown into the mix. A young Jean Grey (Sophie Turner), Scott Summers (Tye Sheridan), and Nightcrawler (Kodi Smit-McPhee) all appear as new recruits, along with the arrival of the ancient Apocalypse (Oscar Isaac).
Unfortunately for Fox, their source material for Apocalypse isn’t necessarily strong. First appearing in X-Factor way back in 1986, the imposing adversary received poor treatment in the comic books over the years. Regardless of his strong origins, it wasn’t long before he became a complete joke, and Marvel’s pure product of the 90s, ‘Age of Apocalypse’, didn’t help matters.
Since his incarnation, Apocalypse has been regarded as the main arch-enemy of the X-Men, despite having some of the weakest storylines in the books. The concept has always been interesting, but the execution lacking. The last attempt to make something out of Apocalypse probably appeared in the animation X-Men Evolution, and the video game, X-Men Legends II.
So, it’s a damn shame to see that such a mishandled character is given to one of the most talented actors of this generation, Oscar Isaac. Renowned for his incredible work in Ex Machina and A Most Violent Year, actor Oscar Isaac is completely wasted as Apocalypse, becoming the weakest villain in the X-Men movies to date.
The problem with X-Men: Apocalypse‘s main antagonist is that he casually strolls into the 80s without any real motivation. Locked away for thousands of years, he awakes from his slumber and demands that the planet belongs to him and his species. With little to no backstory whatsoever, we simply end up not caring what his intentions are. We’ve seen it all before.
Also bearing a striking resemblance to Ivan Ooze, this Apocalypse cheaply gains his Four Horsemen in a mere matter of moments, leaving no room for exposition for any mutant whose name isn’t Magneto. Once his Four Horsemen finally get into action, they’re treated like an afterthought.
The Four Horsemen in the comics used to be a ruthless group of individuals, and these transformations used to have severe ramifications for some heroes. Angel’s transformation into Archangel, for instance, is an interesting plot point and provides a great dynamic for the team. In X-Men: Apocalypse however, Archangel is essentially a mutant with no real impact or character. Oh, he drinks a lot? Better make him evil.
As a whole, the film essentially suffers from its wafer-thin plot, which relies too heavily on just a small handful of blasé characters. It is unforgivable that Jubilee appears for such a short amount of time, whereas Jennifer Lawrence manages to phone it in as Mystique for the majority of the film.
Looking back at the X-Men franchise, Fox’s handling of Mystique has progressively worsened as the films have been released. For a mutant that was once proud in showing her true identity, it’s a shame to see Mystique disguised as a normal homo-sapien throughout X-Men: Apocalypse.
Jennifer Lawrence reportedly disliked the make-up process for Mystique, which explains some things, but it doesn’t excuse how lazy her acting is throughout the film, especially during the final act. The Oscar award-winning actress may have that star power to pull people in, but having her as the main focus in this new trilogy lessens the importance of others.
X-Men: Apocalypse pointlessly involves destruction on a massive scale, which would make even Zack Snyder blush. Thousands, if not millions of people die in the wanton destruction caused by Magneto and Apocalypse, but there’s absolutely no weight to it whatsoever. This poorly put together sequence has literally zero ramifications, and it involves some of the most average CGI seen in the genre today.
It’s at this very point in the film, where all care is thrown out of the window. Perhaps cinemagoers have been treated too well by Marvel Studios, but films such as Captain America: Civil War break free from the norm. They help transgress the superhero genre with new storylines and ambitious filmmaking, whereas X-Men: Apocalypse copies the same old formula which has been dished out for 16 long years. Nothing’s new and remarkable here, and that’s why it fails.
We’re at this point now where the superhero film as a whole either fades away or evolves into something else. Marvel Studios have arguably accomplished this transformation by allowing their films to encroach upon other genres, but other films such as Batman vs. Superman and X-Men: Apocalypse do no favours by becoming pure box-office garbage.
Perhaps it is time for Fox to find new blood because Singer has yet to really push the X-Men into the right direction. Deadpool easily managed to find the right balance of action and humour, and it even featured a nice X-Men uniform. Here, the boring and bland leather outfits make yet another appearance, and it’s a telling sign that it’s time to move on.
However, despite these criticisms, it isn’t the worst entry in the franchise so far, but it’s certainly not far off. There are some great little moments during the film, such as Quicksilver’s phenomenal scene which is accompanied by Eurythmics’ Sweet Dreams. There’s also one cameo that will appease some fans, but others may be put off it. Either way, it’s a nice inclusion to such a muddled film.
The potential is there in X-Men: Apocalypse, but it is squandered by too many inane decisions and lazy writing. The CGI is some of the worst seen in the franchise to date, and the horrible outfits need to go already. The new additions, such as Quicksilver, show that fresh ideas are desperately needed.
Oddly enough, there’s a scene in the film where Jean Grey leaves the cinema with her friends, after watching Return of the Jedi. She remarks on how the third film in a trilogy is usually the worst, and despite this being a clear dig towards Brett Ratner’s abysmal X3, Bryan Singer should probably realise that this is by far his worst entry to date.
Despite some strong additions to the film, such as Scott Summers and Jean Grey, X-Men: Apocalypse is a terribly average film. At a time where we should be expecting fresh and exciting filmmaking within the genre, we receive X-Men: Apocalypse instead. The news of yet another X-Men film set in the 90s should be exciting, but quite frankly, it now isn’t.